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Along with the NKU community, University Archives is celebrating the launch of Northern Kentucky University: A Panoramic History, a new book featuring
panoramic photographs by professional photographer Tom Schiff
along with historical photos of the University. Tonight’s event will take place on the 3rd floor of W. Frank Steely Library from 6-8pm.
Working collaboratively with Marketing + Communications, archivists carefully selected historical images from University Archives’ RG University Photographs to include in the book. We hope you enjoy the selection!
The book, published by the University Press of Kentucky, will be available for purchase at the event and in the bookstore.
We’ve been on a long blog break, but we’re excited to get started sharing our Special Collections and University Archives news again.
On October 21, Special Collections participated in the first Kentucky Oral History Day. Sponsored by the Kentucky Oral History Commission and the Kentucky Council on Archives, the purpose of the day was to improve access to oral history collections and to promote awareness of oral history collection needs and strategies for collection management.
Repositories across the Commonwealth have actively collected people’s stories to document the history of Kentucky and to provide a broader picture of the past than what is in written documents alone. Twelve institutions dedicated staff time on October 21 to specifically work on their oral history collections, including Northern Kentucky University, Berea College, University of Kentucky, Georgetown College, Cumberland Gap National Historical Park, and others. The institutions held a lively Twitter conversation using the hashtag #OralHistoryDay to share their experiences and stories.
In Special Collections, we focused our efforts on adding information about our interviews to an online discovery tool called Pass the Word. The tool allows users to search for and find oral histories at over 600 different Kentucky repositories. You can find our interview information by going to http://passtheword.ky.gov, entering “Eva G. Farris Special Collections and Schlachter University Archives” in the search box at the top right of the screen, and selecting search. The tool displays the names of our collections and interviews. Each interview has a title, interviewee name, interviewer name, date of interview if available, and a description of the topics addressed in the interview. In order to listen to an interview or read a transcript, we ask that you visit the Archives Research Room during our public hours.
As a result of the Kentucky Oral History Day, we were able to learn about what other archives professionals are doing to care for their collections, share information about our collections, and promote the value of oral histories for understanding human experiences of the past.
This picture shows a color lithograph of circus acrobats published sometime after 1898 by the Donaldson Lithograph Company of Newport, Kentucky. The company specialized in printing large advertising posters. It was known for its generic posters that buyers could customize themselves by adding names and dates to save money. Donaldson Lithograph Company posters advertised circuses and other traveling performance acts like hypnotists, musicians, and sword-swallowers. The posters were printed as a series of smaller prints and then pasted together on large buildings or barns.
During the late 19th and early twentieth centuries, Cincinnati was well-known for producing high quality lithographs. The Donaldson Lithograph Company, which stemmed from one founded in 1862 by William M. Donaldson and Henry Elmes, moved from Cincinnati to an old watch case factory at the corner of 6th and Washington streets in Newport in 1898. At its height, the company employed around 300 workers. Although the Consolidated Lithographing Co. took over in 1905, the company name, its Newport location and Donaldson’s position as chair remained unchanged. In addition to the Donaldson Lithograph Company, Strobridge Lithographing Company was another internationally-recognized Cincinnati lithograph company. Lithography is still a popular method for printing.
The poster is on display in the Archives Research Room located in 106 Steely Library through May 2014.
Eva G. Farris Special Collections is pleased to announce the generous donation of fourteen architectural drawings and graphic and photogravure prints from Mr. Larry Huston. These fine pieces help Special Collections document visual art and northern Kentucky’s business history.
Among the donated items are several design drawings of ornamental fencing and gates created by Stewart Iron Works. Stewart Iron Works, from Covington, Kentucky, traces its origins to 1862 and still operates today. Specializing in detailed architectural and structural steel and iron work, some of the company’s major projects include jail cells for Alcatraz, iron fencing for the St. Louis World’s Fair in 1904, and gates to Fort Knox. One of the donated architectural drawings depicts elaborate gates designed for the Holmes Estate at Holmesdale in Covington. Torn down in 1936, Holmes High School now sits on the estate’s original location.
Mr. Huston also donated a color lithograph produced by the Donaldson Lithography Company of Newport, Kentucky. Male circus performers animate the large lithograph, which was printed in the 1890s. Cincinnati was a well-known commercial center for graphic arts including lithography and printing during this period. The piece is a beautiful example of advertising and the nature of entertainment in the late 19th century.
Four photogravure prints from Karl Blossfeldt’s (1865-1932) Urformen der Kunst published in 1928 are included in the gift. Blossfeldt was an important German photographer and teacher who specialized in creating close-up photographs of plants. He used his detailed photographs to study the field of art and nature. The four prints demonstrate Blossfeldt’s attention to the beauty and complexity of botanical life.
Special Collections and University Archives is open to the public Monday-Friday from 1-4p.m. and other times by appointment in Steely Library room 106 on the Highland Heights campus of Northern Kentucky University. We invite interested researchers to contact us prior to their visit by emailing Anne Ryckbost (firstname.lastname@example.org) for regional history collections or Vicki Cooper (email@example.com) for NKU history.
Inspired after reading the archives’ NEH grant proposal for security (which the NEH generously funded in 2013), associate editor Steve Moyer wrote about the post card collecting craze as exemplified by the Gilliam Postcard Collection for Humanities, the magazine of the National Endowment for the Humanities. The article is freely available online at http://www.neh.gov/humanities/2014/januaryfebruary/curio/wishing-you-were-here-0 .
“Wishing You Were Here” highlights some of the gems found in the digital collection – view more of the collection online http://steely.nku.edu/digital_collections/gilliam_collection/ .
My first few months at the NKU Archives have been a transformative experience, as both a budding historian and student of the university. Northern Kentucky University is incredibly lucky to have such a friendly and obliging staff on hand to help aid those in need of obtaining further information and resources in regards to independent/group projects and research-oriented study. Artifacts in the archives are so much more than remnants of the past; there are real people inside the boxes, with first-hand accounts to offer and amazing stories to share.
I’ve been working on a number of small projects for both the University Archives and Special Collections departments. The tedious process of going through a collection is one that must be handled with great care, consideration, and an eye for detail, whether you’re putting old photographs in to new sleeves or transcribing oral histories to post to an online repository. The Fitzgerald and Garrett Collections, most notably, have proved to be both inspiring and exceedingly interesting.
The Fitzgerald Collection, for example, is an assembly of pieces — including archaeological dig artifacts and hundreds of photographs — that belonged to Mr. William Fitzgerald and his family. Fitzgerald, a local historian and member of the Boone County Kentucky Historical Society and Florence City Council, was a prominent figure in the community. Amongst the photographs I was sifting through, there was a cabinet card (a style of photograph which was commonly used in the late 1800s/early 1900s, consisting of a photograph mounted on a card) with a stamped logo for a local gallery and studio in Cincinnati belonging to Mr. Leon Van Loo.
Photograph (front-R; back-L) from MS 23 William And Ann Fitzgerald Collection, Eva G. Farris Special Collections, W. Frank Steely Library, Northern Kentucky University
A photographer, painter, and art collector, Leon Van Loo was a man of many talents and interests. Originally from Belgium, he studied photography under Charles Waldack, his idol and mentor. Waldack opened a gallery at 32½ West Third Street in Cincinnati in 1858. Over the next several decades, Van Loo would travel all around the world collecting pieces for the gallery. In 1875, he introduced a new kind of photography, a style he would become synonymous with, a style he called “ideal.” A revolutionary process, images were printed on zinc oxide and applied to blackened sheet-iron, which presented a pearly, transparent surface that had never been seen before.
Later in life, Van Loo became one of the founding members of the Cincinnati Art Club. He died in Cincinnati on January 10, 1907 and left a strangely amusing request in his will, “To the Cincinnati Art Club the sum of $250 to pay for a dinner to be given in the club-room, as soon as practicable after my death, to the members of the Club. If there is such a thing as the spirit of the dead returning to earth (which I do not believe), I shall be with the boys on that festive occasion.”(Cincinnati Enquirer, Oct.27, 1907 and Cincinnati Commercial Tribune, Jan 15/30, 1907) A sense of humor, beyond the grave; I like it!
In archives, one photograph can lead you down a hundred different roads. It truly is a delight coming in to work and awaiting what new discoveries might be made that day. In the case of Mr. Van Loo, all it took was a stamp on the back of a cabinet card and a particularly interesting name to spark an interest. His story is one of hard-work, determination, and talent, and even though many people have never heard of him or his work — despite having garnered a Wikipedia page (a 21st century honor that surely means you’ve made it) — I’m happy to share with you a piece of his life, if only just a snippet.
Post by Alexandra Daniels